Architect Mark Bruce of EPR Architects describes how the studio made a luxurious hotel in the shell of an 18th-century London prison in this online video generated by Dezeen for the In advance hospitality awards.
NoMad London is located in the former Quality-II stated Bow Avenue Magistrates Courtroom and Police Station in Covent Back garden, London. It is the first abroad outpost of American resort model NoMad.
The venture was named the winner in the Lodge Conversion category at the Ahead Europe awards 2021.
The In advance Awards celebrate striking hospitality projects from throughout the entire world and is split into 4 distinct areas: Europe, Center East and Africa, Asia and the Americas.
“Interpretation of luxury is a really exciting subject, specially when you arrive to a project like NoMad London,” Bruce advised Dezeen. “How do you change a magistrate’s courtroom and a police station that experienced jail cells into a luxury surroundings?”
The prison’s historic inhabitants involved the Kray Twins, Oscar Wilde and Emmeline Pankhurst.
“From an architectural issue of watch, we worked pretty challenging in terms of how the constructing was laid out,” claimed Bruce.
“Wherever the hotel’s key doorway is now employed to be an entrance into a courtyard, where all the defendants would have been brought in.”
“Now you stroll into a breathtaking foyer, and the initial point you see is this 3-storey atrium.”
The central chamber was remodeled into a glass-domed eating corridor. Just about every storey is landscaped with overhanging crops and painted with a tender sea-foam environmentally friendly.
“You get a real sensation of strength from the excitement, and the chatter and the clatter. It just generates the beating heart of the lodge,” mentioned Bruce.
Interior style studio Roman and Williams furnished the place, producing eclectic and vintage-impressed interiors.
“[Roman and Williams] introduced in this gorgeous layering of prosperous components, from new gorgeous timber wall panelling to some exquisite wallpapering in genuinely theatrical colours,”